Cinematographer George Spiro Dibie On Making Documentaries

Cinematographer George Spiro Dibie on making documentaries

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Cinematographer George Spiro Dibie on the Dibie Net, the Dibie Square, and the OB Light

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Cinematographer George Spiro Dibie on using lighting to portray emotions on "Growing Pains"

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Cinematographer George Spiro Dibie on the look he created on "Buffalo Bill"

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Cinematographer George Spiro Dibie on the difference between a Gaffer and Best Boy

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Cinematographer George Spiro Dibie on lighting "Barney Miller"

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Cinematographer George Spiro Dibie on lighting a multi-camera tape show to look like a single camera

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Cinematographer George Spiro Dibie on the challenges of shooting "Growing Pains"

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Cinematographer George Spiro Dibie on working with Harry Stradling, Sr. on "On a Clear Day"

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Cinematographer George Spiro Dibie on his early television work - TelevisionAcademy.com/Interviews

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Cinematographer George Spiro Dibie on working on "Mr. Belvedere"

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Cinematographer George Spiro Dibie on the "Barney Miller" cast

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Cinematographer George Spiro Dibie on working on "Sister, Sister"

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George Spiro Dibie on becoming director of photography on "Barney Miller"

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George Spiro Dibie on his advice to cinematographers- EMMYTVLEGENDS

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Cinematographer George Spiro Dibie on working with Farrah Fawcett and Victoria Principal

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Cinematographer George Spiro Dibie on working with Paul Newman and Gregory Peck

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Cinematographer George Spiro Dibie on working on "Murphy Brown"

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Cinematographer George Spiro Dibie on working with Mary Tyler Moore, Liza Minnelli, and Goldie Hawn

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